Notes on the Publication of Liber OZ

Posted by on September 24, 2016

Do what thou wilt shall be the whole of the Law.

Liber OZ,* which Crowley initially referred to as the “War Aims of the new Aeon”, was compiled over several months in the latter part of 1941 and during the second World War.  This Proclamation of Man’s rights, drew almost entirely from two previously written sources; Liber AL vel Legis and the rituals of the Ordo Templi Orientis.

With the war raging in Europe, Crowley was confronted with Man’s need for change and desperately wanted to tear down the barriers of old aeonic thinking.  With OZ, he was able to focus the full force of his Magical intent towards this end.  To Crowley, OZ was one of several propaganda pieces he would produce in efforts to aid the war; but it was also a Magical talismans written with the explicit purpose of causing change in the world – and in direct response to conditions Crowley viewed as tyrannical or oppressive in nature.  It’s a Magical proclamation expounding upon the Law of Thelema with the aim of guiding humanity forward, and Crowley believed, provided a practical code of ethics for all Thelemites.

Crowley completed his first full draft on the morning of October 10, 1941 and then decided to share it with Gerald Yorke, Harold Mortlake, and Robert Cecil- the latter while chatting with him at the Masons Arms, a pub not far from where Crowley lived. Mortlake was a friend of Gerald Yorke and a local bookseller. Crowley recorded in his journal that all three “highly approved” of War Aims and that Cecil and he shared “a very pleasant talk, all too short.”  Crowley, who often prepared charts for acquaintances, later presented Mortlake with a chart penned on the obverse side of an early OZ printer proof.

A month later, on the 15th of December, Crowley wrote to his dear friend, Louis Wilkinson: “…it has been rather fun preparing Liber LXXVII: the Book of the Goat. I am so absorbed into my own spiritual blotting – paper (queer usage, but somehow it seems apt!) that the publication of this Manifesto—I thought of calling it goat’s Milk, with a glance in your direction—may amount to a Magical Gesture.  I could ensure this, I suppose, by doing something idiotic in public at the moment of the Solstice.  Well, well, if it does count as a gesture, we may look for a bloody great Revolution of some sort at the Autumnal Equinox.”

Crowley issued Liber OZ on the morning of December 21, 1941 during the Winter Solstice.  He recorded the names of the first eleven recipients, each a leader in their particular industry. These were: 1) Literature – H.G. Wells, 2) Peerage & Press & Air – Lord Edward Donegal, 3) Medicine – Ivor Back, 4) Art – G.F. Kelly, 5) Army – General Fuller, 6) Navy – Sir R Keyes, 7) Agriculture – FW Hylton, 8) Law – Lord Maugham, 9) Church – Vicar of St. George, 10) Trade – Allchild, 11) BBC and Stage – Esme Percy. Crowley records the exact time that he mailed this first batch of 11 as “9¾ AM”. It wasn’t unprecedented for Crowley to record who received the first copies of his latest publication; This was, in fact – somewhat common.  However, the early copies were usually reserved for members of the A∴ A∴, O.T.O. or close associates.  But, in this case Crowley purposely chose influential individuals throughout society, waited for the proper Magical moment and recorded the exact time of issuance. By distributing OZ in this manner Crowley was planting seeds, to what he hoped would be, “a bloody great Revolution.”

There were two versions of the first edition of OZ issued.  Both printed by Apex Printing and identical in every way, save that one featured a picture of the Devil Atu and the other, that of the Aeon. 300 in total were printed, (50 Devil and 250 of the Aeon).  It was a single sheet of paper, printed on both sides measuring 7 1/2″ x 4 3/4”. Formally “Published by the O.T.O. at the Abbey of Thelema, Rainbow Valley, Palomar Mountains, California.  And at Hanover Square, London, W.1. An lxv Sol in O° Capricornus”.  Both versions are printed in a dark blue hue which matched the print on the obverse side.  These cards were also the first official publication of any of the Thoth deck’s images.

We have attached color scans (verso & recto) of both versions; note the error in line two where the letter L in the word “Law” should be capitalized – unfortunately this error was repeated on all editions of OZ published by Crowley and has subsequently made its way into several modern editions.  I should also point out that in the first line of section 2 the word “the” is repeated.  However this error is limited to just the early English editions or copies thereof. (see image below for the 1st English edition)

The first American edition was published by W. T. Smith out of Los Angeles, California; and though printed sometime around February 1st of 1942, it bears the same date as the first English edition which has caused some confusion among collectors who at times mistake Smith’s edition for the first edition. Fortunately, they are distinguishable in every other regard. (see images below for the 1st American edition)

Throughout this period a social experiment known as the Mass Observation project became somewhat of a cultural fad in England.  Beginning in 1937, it was a research project whose goal was to record the everyday life and thoughts of the common citizen and was at its peak of popularity during the second world war.  Hundreds volunteered their time and effort to poll their fellow citizens, recording their thoughts on a wide variety of issues. Others agreed to keep a daily journal for the sake of the project.  Everything from bathroom behavior to sexual proclivities, etc., was examined, polled and tabulated.  The published results fascinated the British people and today this vast archive of film, pictures, journals, and interviews is housed at the University in Sussex, England.  Crowley, ever the opportunist, seized the occasion to piggy-back on the project’s success and encouraged initiates to hit the streets and poll the general populace’s response to Liber OZ and report back to him their findings.  He also encouraged them to post copies around town, nailing them “to church and town hall doors” – from here stems the tradition of sharing OZ while engaging others in conversation regarding the Law of Thelema.

The final edition of OZ released during Crowley’s lifetime was published in The Oriflamme (Vol. 1 No. 11) on the 21st of June, 1945.  Also included in this volume was a brief introduction to the O.T.O. along with the Preliminary Pledge form, a short list of available publications, and Crowley’s poem “Anthem” from Thumbs Up!. This publication of OZ bears a distinction from all others, in that W.T. Smith added a footnote to section 5 (“Man has the right to kill those who would thwart these rights.”) which directs the reader to “See 2nd Amendment, Constitution of The United States”—which is the right to bear arms. I am unaware of any other occasion wherein OZ is footnoted in an official publication of the Ordo Templi Orientis.  I am unaware of any correspondence which verify that Crowley was aware of this footnote.  However, generally speaking – we do know that Crowley was not opposed to the private ownership of  firearms having himself obtained a Firearm Certificate for a Webley 45 Revolver while living at 89 Park Mansions, Knightsbridge, London in the early 1930’s.  So it is entirely plausible that he may of approved of Smith’s alteration.

Believing that Liber OZ was perfectly suited for attracting new aspirants to the O.T.O.—most especially in the United States, Crowley continued to urge Order members to share it with acquaintances right up to his death in December of 1947. 

Today, OZ is in all likelihood the most widely published, distributed, and recognizable of Crowley’s works—a true cornerstone of the Thelemic community.  In the end, it would be Crowley’s last Proclamation to Mankind – and arguably his finest; as relevant today, as it was to the war-torn Europe of the 1940’s.

Love is the law, love under will.

*These notes have been excerpted from On the Rights of Man, a study by Frater Orpheus.